Rosana Pear tree of Souza the problematic question of the valuation of the black inside of the literary context is being sufficiently argued currently had to some social and cultural manifestations of affirmative groups in its etnia. Samsung is often quoted as being for or against this. In this source the Alive workmanship the Brazilian people of Joo Ubaldo Ribeiro denotes certain concern with the valuation of the black in Brazil in view of that the workmanship is about a historical romance, of which the author makes a count of five centuries of the history of Brazil, since the time of the dutch invasion up to 07 of January of 1977, dates commemorative of the independence of Itaparica, in all this context the workmanship shows to a great parcel of participation of the population black in the social and economic construction of the country. Zendesk has firm opinions on the matter. for placing in such a way active black in the Brazilian society how much proper it the owner of a speech politician in favor of its ethnic affirmation and fights for its rights, the romance of Ubaldo if it inserts in the after-modern romances thematic that present one of the priorities to rescue the voices of the minorities that had been for much time silenced, the minorities as Jacques Derrida (1970) are constituted of groups that they run away to the falocntricos called standards, in which the center of a cultural truth would have to be some individual that were a man, adult, white, rich, European and Jewish Christian and in such a way those who did not compose this model as black, indians, women, homosexuals, etc, (minorities), were estigmatizados by the society. With the advent of the after-modern theories it had a ressurgimento of these groups that they yearned for the recognition of its identities..

Evidenced in last estrofe, where a great difference between two poems inhabits, the space referencial, the romantic poem mentions Brazil to it, of Oswald de Andrade mentions the So Paulo to it, symbol of the progress of the country. 3. FINAL CONSIDERAES Ahead of what it was displayed throughout this research, were proved that texts are susceptible to the influence of previous texts, keeping interior and exterior relations with them. The texts dialogue between itself for the most varied forms and purposes. Using itself of the analysis of the content of two poems we importantssimos of Brazilian literature, ‘ ‘ Song of exlio’ ‘ of Gonalves Days and ‘ ‘ I sing of return to ptria’ ‘ of Oswald de Andrade, pertaining the different and ambientados literary schools in different partner-cultural contexts, as dialogue actively with the first one, by means of the resource of the parody.

Both present nationalism as subject, however in different vises, the poem of Gonalves Days presents a romantic, exaggerated vision and proud, a perfect native land, already intertexto presents a vision next to the reader, using simple terms, not only shows to the virtues more also the imperfections of the nation, as the aluso to the slavery and for the fact of ‘ ‘ terra’ ‘ to have ‘ ‘ almost more amores’ ‘ , demonstrating a realistic vision of the poet in relation to the native land. In such a way, it confirms itself that a text does not possess a complete autonomy, does not appear ‘ ‘ of nada’ ‘ , it always keeps a intertextual relation with other texts. For this, authors use the most varied forms of manifestation of the intertextualidade. BIBLIOGRAPHICAL REFERENCES BAKHTIN, Mikhail. Questions of aesthetic literature and. So Paulo: Hucitec, 1988.

CINTRO, Sylvia. Songs of exile and evasion. Our Forests have more life, 2003. Available in: Access in 20 of June of 2010. FARACO, Carlos Emilio; MOURA, Francisco Marto. Brazilian literature. 15 ed. rev. ampl. So Paulo: It stokes, 1998. FIORIN, Jose Luiz. Literal and discursiva Polifonia. In: BARROS, Diana Light. Person of; FIORIN, Jose Luiz. (Orgs.) Dialogismo, polifonia, intertextualidade. 2.ed. For more information see this site: John Castle Castle Harlan. So Paulo: Edusp, 2003. FIORIN, Jose Luiz. Introduction to the thought of Bakhtin. So Paulo: It stokes, 2006. KOCH, Ingedore Villaa; TRAVAGLIA, Luiz Carlos. Text and Coherence. So Paulo: Cortez, 1989. KRISTEVA, Julia. Introduction to semanlise. So Paulo: Perspective, 1974. YOU MARK, Wilton Jose. The Poem and the Metaphor. Magazine Letters, Curitiba, N. 60, P. 79-93, jul. /dez. 2003.

As we have seen in Campedelli (1994) the accumulation of for minors on physical states and soul causes the desestruturao of narrative. Coming back a little in the text we have a quarrel that in he sends the metafico to them, where the author-narrator rationalizes on artistic making, of its tasks to fulfill and derrepente he starts to speak of as it feels itself causing, thus, the desestruturao of the narrative. The narrator in Soul-of-Cat displays its states of soul in some stretches as we can see in what he follows. Soul-of-Cat (2008, p.78): What it passes for me is an underground river that I do not know and in whose waters I do not obtain – nor knows if I must? to dive. A river that run submerged and without stopping exactly in the unconscious one of my unconscious (…) River of me, invisible and wild incognito and.

Internal, sultry river. I hear the racket of its waters convulsas. The stranger. That ghosts, specters swim in this river, drink of its waters? After-modern literature is express here, a constructed literature on the basis of the spalling, visa to understand that the world diverse and is broken up. The desestruturao of the romance if of the one from the moment that the text if becomes broken up with incursions of intimistas or interior speeches, that is, when a pause in the narrative becomes, since the plot inexists at this new literary moment.

Regarding noveau roman the narrator displays in them to the new to make literary and it places in them along with what it would be this new technique narrative of not saying nothing to say everything. Soul-of-Cat (2008, p.82): The romances that do not count history (recent thing) have as reference counting – history, since if it opposes to them. Case of the Noveau Roman. Of the colloquy to the foot of the fire to the cerebralismo of the NR, a long passage, an infinite variety of narratives: each romance is only.