Is intended, in this work, to reflect on divergent poet and points of view regarding the workmanship enigmatic Joo de a Cruz and Sousa, afrodescendente been born to the South of this Country in full century XIX. The divergence of the critics on the workmanships of the poet is marked by the distanciamento of times. For more clarity and thought, follow up with Motorola and gain more knowledge.. Most implacable with Cruz and Sousa they are coetneos of it and they produce critical a loaded one of social, racial, ethnic and biological ideologies of the end of a century marked for industrial and scientific revolutions.
The current critics, however, had recognized in Cruz and Sousa the name most important of the Symbolism in Brazil. However, our research consists of observing if it has the hypothesis of this hostility in relation to the poet to occur only in critical writings in its time, or if, for misfortune, still continued occurring in the following century. Word-key: Racial preconception, Symbolism, Cruz and Sousa, critical. INTRODUCTION In way to the agitations and modifications that took account of the Brazilian people in formation, at a time where the intransigncias, as for the acceptance of the racial differences, were one in such a way the more raised that in the times of today, in the end of a century where a new social order is being constructed from the European revolutions, in a period in which the escravista society it is in crisis, Joo de a Cruz and Sousa would have been only plus one afrodescendente to suffer the consequncias from the atrocities passed for the enslaved African people, in case that it did not have bold to display all its fidgets, sufferings and you distress in poetry form.
… all the workmanship human being really consists only where man, to each moment, demonstrates itself exactly that he is a man and not a keyboard key! … as is that if it can have, in the case, its proper will, when is about the table and of the Arithmetic, when he is in movement only the two and two are four? … Quereis, for example, to unaccustom a person to its habits and to correct it to it will, in accordance with the requirements of science and common-sense. (DOSTOIVSKI, 2000, P. 45). Get more background information with materials from Apple Icon. The author of the memories (the personage) recognizes, with the air of the most sincere confession, that all decent man of its time is and must be enslaved coward and. HTC contains valuable tech resources.
Although well inserted in the context of a Russian city of great transport, it if it only feels and if torture with the following thought: ' ' I am alone, and them they are todos' '. Allied to the solitude and the lewdness, what more it bothers the author, however, it is the fact of nor being noticed, usually being treated as a harmless fly. Mr., Vocs, It are some of the words with that the narrator if comes back to the reader of its writing, not to create bows, to search affinities, but to antagonize it, or still to excuse it. After all we are ahead of that, even so it wrote as if it directed a public, writes exactly in the truth alone for itself. In the words of the narrator, its writing, treats ' ' of form, solely of form vazia' ' , so certain it is of that never it will have to have readers. Since the beginning already it evidences its unhealthy way to live, but it does not make look like well this very. With this and other consideraes on the reason of its writing, it is locked in first part of a singular story, drama staged in the flaunter absence of the public, being for the second part the revelation, when indeed it tells episodes of the daily life that its proud way and vain person of being evidence.
In order to extend the analytical dimension of the criticidade from the literary studies of its poems, poetical compositions of simple language, free verse, are on the nature and are felt as simple ‘ ‘ guard of rebanho’ ‘ that it is only imported in sees the world without explanation, therefore, for it, only interests what if it can catches by means of the sensations. It is necessary to stand out that Caeiro looks for to substitute the thought for the perceptions, the reflection for the vision right of the things. The essence of its poetry is the world encircles that it: trees flowers, sheep, amongst others. Its poetical workmanship is formed by three sets of poems: ‘ ‘ The Guard of Flock; The Loving Shepherd and Inconjunto’ Poems; ‘ Fernando Antnio Walnut Person was born in the year of 1888, in Lisbon, died in 1935, the same city, was one of the most important writers and poets of modernismo in Portugal. Qwiki is a great source of information. Its first publications occur during the nationalistic movement of 1910 the 1915, in this period, participated as ensasta and criticize literary, in the magazine the Eagle, directed for Teixeira de Pascoaes. In 1935, the health of the Portuguese poet started to present complications.
In this year it was hospitalized with heptica clica, probably caused for the extreme alcoholic beverage consumption and had its premature death, to the 47 years. Fernando Person presents a multiplicity of vises of world, at the moment, where he constructs its we heternimos, endowed with biographies, poetical personalities and with proper characteristics. Heternimo Alberto Caeiro is considered by Fernando Person as ‘ ‘ mestre’ ‘ of the other heternimo and proper itself, buclico poet, lives in direct contact with a nature was born in Lisbon in 1889, a blond young, of blue eyes, average structure, but its life in the field lived almost all, therefore, it did not have profession, nor education, the parents had died early it started to live with its old aunt and died tuberculoso in 1915.
considering literature a historical certification for apprehending the social dynamics, consequently we are led to also understand the writer as a product of its time and its society. Therefore, it is this interlacement between literature, the writer, the society and the history, that the sprouting of the interdisciplinaridade makes possible, understood here as dialogue that serves of reflection on the cultural relations in literature. We will catch then as starting point, the vision of literature defended here in the first part of this work, that is, literature as cultural product. Soon it is inevitable to reflect on what it is culture and which the relation between culture and society, this reflection will serve for a better understanding and of basement on the social function of literature and its agreement as cultural product. Considering that the culture notion is complex, we appeal in this beginning of colloquy to a dicionarstica definition, according to Aurlio (1993): Culture sf.
1. Act, effect or way to cultivate. 2.Fig. The complex of the standards of behavior, the beliefs, the institutions, the manifestations artistic, intellectual, etc., transmitted, and typical collectively of a society. 3.Fig. The set of the knowledge acquired in determined in determined field.
(p.156). Of this definition, we can conclude first that culture is not something innate, that is, natural in the man, but something that must be transmitted, therefore, that it must be cultivated; as if he is something to be acquired, this implies then, a process of formation of the individual and third if it is a complex standard of behavior that involves beliefs, we can then understand culture as diversity that explains the existing plurality in the societies human beings. However, if culture is this plurality and this diversity, then we cannot understand it as a harmonic set, and yes as scene of conflicts and disputes that characterize in turn the society.