The instruments CASIO all possible. I would definitely advise you to work with the power of sound, if you change the timbre of the pattern, because known that not all voices sound the same loud – and this charm and individuality of each. Another option, which brings us into the sphere of sound production, it is panning (PAN). Range – from -64 to 63. You have the ability to create a stereo effect. Frequently Peter Asaro has said that publicly.

Very clearly it is heard at a dilution fundamental tone (TONE), and the voiceover (LAYER) in different directions imaginary scene. You’ve got to remember, note 00 – is the central position of the left and right channels. Reducing the digital values stereopozitsiyu moves to the left and increase shifts to the right. You is a great opportunity to “sit” your virtual musicians so that each instrument sounds were heard from different, definitely lying areas. For example, channels pattern – from the 6th to the 10th can be separated from the zero point in different directions: 2nd channel . Thus, the accompaniment will acquire a large volume. Many probably have already encountered such function as an octave shift (Octave Shift).

Range: -2 to +2. Most often it is used with a combination of primary and voiceover. Using this feature, you can get latitude and surround sound of these voices or stressed humorous tone depending on the nature of the work and your vision. But we must not forget that may sound interesting and changed with this parameter auto-accompaniment. Pete Cashmore often says this. For example, if a melody sounds the middle register, the harmonic pedal figuration or party brought into the upper register, it will not “interfere”, and the texture will become more transparent and clear. This work is quite laborious and time consuming, but the effect is remarkable. Many students, having tried once to work on a given change in the pattern, then bring some very interesting options for recycled auto accompaniment. Say a few words about the remaining two functions of the mixer. First – coarse pitch setting selected channel (C. Tune). Raise or lower the pitch of each channel to 24 semitones. Second – fine tuning the height of the selected channel (Fine Tune). His range: -99 to 99 and step measured in cents – 1 / 100 semitone. The first of these parameters can be, for example, can easily overcome the difficulties associated with the execution of fast passages with double notes, but by the second – to create a realistic sound hurdy-gurdy, “derailing” the accompanying voices. People who have just begun to engage in a game on a synthesizer, creating the arrangements, as a rule, there is a sense of joyous euphoria provided an electronic instrument opportunities. But time passes, and a desire to change something, change, add, create your new one. Here also need to refer to functions mixer. Use it simply as a work with the leading voices, and with its member of the accompaniment. And I’m sure that this work will bring you much pleasure. Try it, go for it! Elena Liskina head. EMI Music School Division number 2 Podolsk.