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Evidenced in last estrofe, where a great difference between two poems inhabits, the space referencial, the romantic poem mentions Brazil to it, of Oswald de Andrade mentions the So Paulo to it, symbol of the progress of the country. 3. FINAL CONSIDERAES Ahead of what it was displayed throughout this research, were proved that texts are susceptible to the influence of previous texts, keeping interior and exterior relations with them. The texts dialogue between itself for the most varied forms and purposes. Using itself of the analysis of the content of two poems we importantssimos of Brazilian literature, ‘ ‘ Song of exlio’ ‘ of Gonalves Days and ‘ ‘ I sing of return to ptria’ ‘ of Oswald de Andrade, pertaining the different and ambientados literary schools in different partner-cultural contexts, as dialogue actively with the first one, by means of the resource of the parody.
Both present nationalism as subject, however in different vises, the poem of Gonalves Days presents a romantic, exaggerated vision and proud, a perfect native land, already intertexto presents a vision next to the reader, using simple terms, not only shows to the virtues more also the imperfections of the nation, as the aluso to the slavery and for the fact of ‘ ‘ terra’ ‘ to have ‘ ‘ almost more amores’ ‘ , demonstrating a realistic vision of the poet in relation to the native land. In such a way, it confirms itself that a text does not possess a complete autonomy, does not appear ‘ ‘ of nada’ ‘ , it always keeps a intertextual relation with other texts. For this, authors use the most varied forms of manifestation of the intertextualidade. BIBLIOGRAPHICAL REFERENCES BAKHTIN, Mikhail. Questions of aesthetic literature and. So Paulo: Hucitec, 1988.
CINTRO, Sylvia. Songs of exile and evasion. Our Forests have more life, 2003. Available in: Access in 20 of June of 2010. FARACO, Carlos Emilio; MOURA, Francisco Marto. Brazilian literature. 15 ed. rev. ampl. So Paulo: It stokes, 1998. FIORIN, Jose Luiz. Literal and discursiva Polifonia. In: BARROS, Diana Light. Person of; FIORIN, Jose Luiz. (Orgs.) Dialogismo, polifonia, intertextualidade. 2.ed. For more information see this site: John Castle Castle Harlan. So Paulo: Edusp, 2003. FIORIN, Jose Luiz. Introduction to the thought of Bakhtin. So Paulo: It stokes, 2006. KOCH, Ingedore Villaa; TRAVAGLIA, Luiz Carlos. Text and Coherence. So Paulo: Cortez, 1989. KRISTEVA, Julia. Introduction to semanlise. So Paulo: Perspective, 1974. YOU MARK, Wilton Jose. The Poem and the Metaphor. Magazine Letters, Curitiba, N. 60, P. 79-93, jul. /dez. 2003.
The new band ‘I’ve missed you,’ Pascu-media is continuing his edition of digital novel issues with a new set. Pascu-media with the new band I’ve missed you”, continues his edition of digital novel issues with a new set. “Flora dreams of the land” is a new romantic series. Pascu media, a division which Pascu publishing group Berlin, which, among other things, publishes digital press products, Miss you these days novel book I have published”novel issues in innovative form as an E-book download – under this motto. The band is part of the series flora dreams of the country”. Protagonists are Andreas and Eva, which are lost due to familial turbulence from the eyes. Eva feels alone and lost even their work. It has to happen much, until the fate of Andreas calls home.
Quickly the past catches him, and he remembers how much he still loves Eva. If she can forgive him? The novel booklet is available as EPUB file for PC and E-book reader in almost all major E-book stores for downloading. Leseprobe : Eva was sitting at the kitchen table, she thought about the offer of the farmers. Since its release three months ago she found still no job, also not in a factory, even though she had tried everything. Their last hope was now the newly built hotel. But even that wasn’t sure. A so sophisticated House, as it should be, would set determined not unskilled forces.
She thought back to her childhood. Almost every day she was on the Obstgut Reuter. With Andreas, the older son, she had gone to the school, with him she had experienced their first major and only love, would never forget and never overcome. They had met at that time every afternoon on the Lake and tender kissing there too for the first time. They had sworn eternal loyalty. They had been inseparable, and everyone had believed that the dream couple would be par excellence out of them.
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As we have seen in Campedelli (1994) the accumulation of for minors on physical states and soul causes the desestruturao of narrative. Coming back a little in the text we have a quarrel that in he sends the metafico to them, where the author-narrator rationalizes on artistic making, of its tasks to fulfill and derrepente he starts to speak of as it feels itself causing, thus, the desestruturao of the narrative. The narrator in Soul-of-Cat displays its states of soul in some stretches as we can see in what he follows. Soul-of-Cat (2008, p.78): What it passes for me is an underground river that I do not know and in whose waters I do not obtain – nor knows if I must? to dive. A river that run submerged and without stopping exactly in the unconscious one of my unconscious (…) River of me, invisible and wild incognito and.
Internal, sultry river. I hear the racket of its waters convulsas. The stranger. That ghosts, specters swim in this river, drink of its waters? After-modern literature is express here, a constructed literature on the basis of the spalling, visa to understand that the world diverse and is broken up. The desestruturao of the romance if of the one from the moment that the text if becomes broken up with incursions of intimistas or interior speeches, that is, when a pause in the narrative becomes, since the plot inexists at this new literary moment.
Regarding noveau roman the narrator displays in them to the new to make literary and it places in them along with what it would be this new technique narrative of not saying nothing to say everything. Soul-of-Cat (2008, p.82): The romances that do not count history (recent thing) have as reference counting – history, since if it opposes to them. Case of the Noveau Roman. Of the colloquy to the foot of the fire to the cerebralismo of the NR, a long passage, an infinite variety of narratives: each romance is only.