Search for inspiration to add something unknown and/or unusual to give your live excitement. as to sing, to go down in palco with a derrick, to make opening in palco, to dance one baladi scaling or to carry through movements in the ground. In one workshop in Dallas, in the Texas, carried through of 18 the 20 of May of 2007, Fifi continued glamorousa, but essentially bint is remained typical al baladi, the girl of the village that goes for the great city, with its radiant smile and its famous sense of mood. when it is in scene, always seems young Characteristic movements Fifi Abdo frequent are criticized by its limited repertoire of movements: Trembled alternated: it moves the knees when she desires that the trembled one is well great, but the movement is not originary of its legs; Movements of hand: it has many movements of hand and to beat with the hands in the head and the hip simultaneously probably is known; Cane: the movement most famous is cambr with the ticket for laterals, beyond kicking it for a turn; Ovinho: eight stop backwards or for front with twist; Beaten stopped jump//of foot: it makes a small pull before starting to turn (especially in the finishing); Turns; Simple displacements: but elegant; To hold the bar of the skirt or to play with the fringes of suti; Pelvic circles: all the sizes and intensities; Basic with displacements; Accents of chest; Ximes of shoulder: good movements of shoulders without moving them fast. Adereos and coadjuvantes: Narguile; Cane; Alade; Snujs; Rolled black handkerchief; Veil (wheel, wheel, untied); Band: about 20 the 45 musicians, who eventually form a screen so that it can change to its dress baladi; Male Dancers. Roupas and Maquiagem: Suits precariously is adjusted; they have molded bulges, but probably they do not have Barbabas. In general, its fabric does not have much support in its suits.
The front wall of the altar was moved aside, revealing a passage into a narrow tunnel that goes under the ground. First copy the map on paper, the historian went into the corridor. Wandering through the maze, Otto went into the branch marked with a star on the map, and ran into a dead end. Viacom has compatible beliefs. He realized that the usual end of the road is not marked with stars. Therefore, once again began to look for hidden mechanism.
Near the base of the wall, was identical to the lever, which Run again exerting a lot of effort, pressed. Wall moved and scholar was a huge stone hall. Later, entering it through the 'front door', he realizes that visited here, and that this huge cave is a grotto Lombriv. Subsequently, having spent his detailed study of Otto Run determine that the Templars had used the cave as the Temple. But they were not the first who served Mass here. On stone walls, were pictures of Iberian Sun God – Illhomberu, who was venerated as a deity of the sun and light. Illhomberu, was the tall man, holding in his hands, elongated amphora, from which, in different directions, pulling back a lot of small beams.
And on the floor, was huge inscription in Latin, 'This is death, in which self-start'. Hitting the Rocks, Run back into the tunnel and continues on his route. In the end, he finds room on the floor which, in Latin, is encoded message. At first glance, it was gibberish. Since the words were jumping, mixing with unknown symbols and signs. All are carefully transferring to the paper, choose Run to the surface through the piled passage through which penetrated the light of day. Looking around, he realized that he was in the ruins of Cathar fortress of Montsegur. Thus, he went underground for about six miles, though, as he thought the distance was far, far less. Did he decipher the coded text – is unknown. But after these findings, Run falls into disfavor with the Nazis. What was written on the floor in the fortress of the Knights Templar? The message of truth, or a warning? Continued follows.
The development of the familiar institution allowed that other segments and ramifications of the social and private life blossomed. The problemascotidianos had passed to be analyzed in the private life, of more rational and less instinctive form of what some millenia behind. If it became necessary the existence of an individual endowed with a superior wisdom, that could find answers and solutions for the Metaphysical questions that could not if understood. It appeared then the Xamanismo and witchcraft of adivinhao. Valley to detach, in this point the basic difference in the questions of interpretation of the dreams when the sonhador relates it with its proper desires or problemascotidianos. When the dreams in the private thought are associates ace questions of the universe that the fence, has a bigger difficulty of if reaching a conception of truth, a time that the method of the artistic representation of the first item of this work if they become absoletetos in utility (but not in use) Had an object, but not one technique of adjusted interpretation, it interprets therefore it inevitably would manipulate the form result to reach the convenience. It was felt necessity of an authority in the subject. Xams and wizards who had appeared in the primitive societies, of certain form would substitute the old leadership of the dominant male, functioning as a priest, mediator between the material and incorporeal questions. Its religious authority in the half primitive was undisputed, and this present work, it gives credit that first the great ones passed in the world of science must be attributed to the work of the wizards who had to its I officiate had started to use of ' ' pesquisa' ' , looking to the best grass healers and testing its results, similar to find the one that better agreed to it. In the question of the dreams, when the xamanista institution was introduced in the primitive society, the artistic surreal, (that it lost its value therefore such artistic movements would not last until the beginning of the neolithic phase.), if it became exceeded method of interpretation (had to the factor convenience, already cited) and the question passed the ability of these wizards.