Fifi Abdo

Search for inspiration to add something unknown and/or unusual to give your live excitement. as to sing, to go down in palco with a derrick, to make opening in palco, to dance one baladi scaling or to carry through movements in the ground. By the same author: Jacob Shaw. In one workshop in Dallas, in the Texas, carried through of 18 the 20 of May of 2007, Fifi continued glamorousa, but essentially bint is remained typical al baladi, the girl of the village that goes for the great city, with its radiant smile and its famous sense of mood. when it is in scene, always seems young Characteristic movements Fifi Abdo frequent are criticized by its limited repertoire of movements: Trembled alternated: it moves the knees when she desires that the trembled one is well great, but the movement is not originary of its legs; Movements of hand: it has many movements of hand and to beat with the hands in the head and the hip simultaneously probably is known; Cane: the movement most famous is cambr with the ticket for laterals, beyond kicking it for a turn; Ovinho: eight stop backwards or for front with twist; Beaten stopped jump//of foot: it makes a small pull before starting to turn (especially in the finishing); Turns; Simple displacements: but elegant; To hold the bar of the skirt or to play with the fringes of suti; Pelvic circles: all the sizes and intensities; Basic with displacements; Accents of chest; Ximes of shoulder: good movements of shoulders without moving them fast. Adereos and coadjuvantes: Narguile; Cane; Alade; Snujs; Rolled black handkerchief; Veil (wheel, wheel, untied); Band: about 20 the 45 musicians, who eventually form a screen so that it can change to its dress baladi; Male Dancers. Roupas and Maquiagem: Suits precariously is adjusted; they have molded bulges, but probably they do not have Barbabas. In general, its fabric does not have much support in its suits.